Chaumet, London

We rarely cover brands such as Chaumet as they don't tend to produce very much visually. In fact its over a year since we included them on this site, and only because their Dubai store shone like a beacon in the Mall of Dubai. Anyway, this incredible organic structure composed of what looks like moths / wasps or hornets is quite beautifully produced. Unfortunately it was late at night when we recorded this so as there have been a few smash and grabs along Bond st. where this is situated it was clearly wise not to leave precious jewellery within easy reach of whatever criminals use to smash these kind of stores. But anyway, a refreshing view none-the-less.

Diesel, London

We do enjoy what the guys at Diesel are doing at the moment (OK, well we'll have to overlook the Silver Birch trees for now) but they are producing some really very interesting schemes and of course we are clapping furiously. Bandaged trees, dipped logs in wonderful tones....the merchandise looks great and this store in particular always looks very sharp (but did we mention the omnipresent Silver Birches?) Cu'mon guys ditch the Silver birches?

Jigsaw, London

With the Chelsea Flower show looming, parts of the Kings Road are looking blooming great. We're not huge fans of large format graphics unless they are used in a creative way or used to really change the space. Its very difficult to do very much in London with the outsides of commercial spaces, so this is one from Jigsaw with its out sized floral embedded lettering is a welcome relief from the Roman/Elizabethan/Georgian/Victorian theme park we find ourselves in.

Mudpie Trend Seminar, London

If you happen to be in London soon or you are not aware of this event, it really is a must for anyone working in the creative industries.
"Fiona Jenvey, CEO of Mudpie Ltd will be back at the London College of Fashion on Thursday 9^th June to present forecasted trends for Autumn/Winter 12-13. Tickets for three presentations are now on sale at www.trendbookshop.co.uk
"The seminar programme will focus on the key themes of Remix, Synthesise and Myriad – and will cover the trend development and prediction from initial concepts, inspirations, moods, through to fabrics and colours for Male, Female and Kidswear interpretations." "Mudpie is the UK’s largest trend forecasting service, with an international network spanning 50 countries and branded offices in 17 locations, including Asia, Africa, Australia, the Americas and Europe."

Uniglo, London

This is a really interesting scheme at Uniglo at the moment. As part of the Regent St. windows project (if you remember, the one that didn't include us or sent us no information-at-all-so-we-are-making-this-up-as-we-go-along-scenario). But anyway, we are working through the therapy and have made enough progress to say something positive about this scheme by Scott Brownrigg. These incredible Red pointy structures surrounding these mannequins have tiny little cityscape's contained within them. The lighting changes in turn and casts incredible shadows around the space which really do look phenomenal. However, the surrounding Gold fabric does look like a former scheme from Chanel (that's not a compliment) and the finish...well....not very sharp. Still, if you have a window scheme that doesn't use Visual Merchandising specialists - ya' know, because just about anyone can do this job, right?, then you get what you don't pay for and the result it clear.

Louis Vuitton, London

The guys here at L.V. (as they are known in the biz) in London are beavering away to bring us their new installation (well, new but temporary). We managed to sneak around the blinds to give you a preview of thier latest scheme........watch this space and we will bring you their latest sensational scheme in all is glory when it launches very soon..........!

Laurent Debraux, Paris

If you happen to be in Paris between 27th - 30th May do go and visit 57 Rue Des Cascades, to view the work of Laurent Debraux. We are huge fans of Laurent here at http://www.retailstorewindows.com/ as his work has all sorts of incredible commercial applications while maintaining its fine art integrity. What more could you ask for hey?

Levis, London

If you happen to be passing Levis along Regent st., do poke your head around the main doors and have a look at this installation by Ian Chesney as part of the Fashion and Architecture thing that's happening right now in this area of town (The Regent St. windows project). Unfortunately we were not sent information or invited to the launch of this event.....bizarre right? (was there one?)... so we don't have much information about it all and had to photograph it through the glass. We should have just gone to Thailand like Fergie recently I guess instead. But, ahem..... anyway, that aside, here we have lots of pairs of jeans creating Art. Well, if these guys wont invite us what do they want us to say, eh? Ultimately, of course this installation is quite spectacular. We have also had a look at Uniglo and Duchamp too which also have this kind of stuff installed and which we will post over the next few days.

The Future of Visual Merchandising 2020

(Please note that the Powerpoint Presentation has been moved to the top of the page)

Do you ever wonder what will happen in the future? Invariably, if we are honest the answer is maybe a vague….ish….yes? Not in any great detail perhaps, but we have all had at least at some point, albeit momentary, flash-forwarded (does this expression exist yet?) about what we think our futures will be like, either how we wish it to be or how we think it will be?

The film Metropolis produced in 1927 and directed by Fritz Lang, was "set in a futuristic urban dystopia [and] explored the social crisis between workers and owners in capitalism". "The film [was] set in the massive, sprawling futuristic mega-city Metropolis, where society [was] divided into two classes: one of planners and management........ and one of workers". What is so remarkable about this film is how incredibly accurately the visual of the film was predictive of 21st century city living. OK well, not in the same visual Raygun Gothic style, but certainly in its portrayal of us (as the workers) as the drones were then also portrayed. Incidentally isn’t it also ironic that futuristic technology which is now our contemporary technology was always promised to make our lives easier giving us as much leisure time as we could endure, although in fact, while not quite enslaving us, it has made us work twice as fast for twice as long than we did before? The convenience factor that this technology provides has actually seeped into our daily routines that it is impossible to not to be part of some kind of digital presence.

Zooming ahead in time 70 or so years later to 2002, the neo noir science fiction film Minority Report was set in the year 2054. The films central theme is "the question of free will vs. determinism.....examining whether free will can exist if the future is set and known in advance". Both Metropolis and the Minority Report it seems were particularly prescient (i.e. perceiving events before they occurred) and therefore one has to wonder that by attempting to predict, as in the case here, our own Visual Merchandising industries’ future, are we are in fact predetermining how it will actually be? Similar to the Minority Report's Precog's ("the mutated humans with precognition abilities") can we actually predict what will happen in 2020? Realistically, of course our predictions are based on what we already know now through our experiences, dialogues and interactions. However, will these 2020 predictions drive the way our industry acts through saying what we think will happen as an industry? By contributing to this forecast will it in fact, as with the storyline from the Minority Report become a self-fulfilling prophecy? Who knows? The year 2020 is not that far away and however unintentionally sinister as this may read, it is important to consider for a moment how we ourselves will shape where we think our industry will be.

For this forecast we talked to the movers and shakers, the creatives, the writers, the academics, the suppliers, the designers (many of whom are all of these) to ask them to share their thoughts with us in a one-liner/overview and tell us what they think our industry will look like in the future. As all of the contributors clearly have their fingers firmly on the VM industry pulse, we weren’t surprised not to receive googie or populuxe aesthetic and science fiction-style replies akin to Mars Attacks, Gattaca or Le Voyage Fantastique. What we received were inspired and strategic creative thinking from our industry’s best and their future and therefore futuristic visions of how we will shop and be visually presenting in 2020.

(*Please note that a larger version of this presentation is available on slide share)

Our most grateful thanks to the following contributors who so generously gave us their time and agreed to send us their thoughts. Without the support of these industry specialists, this project would not have been possible:

Faye Mcleod, Erin Thompson, Janet Wardley, Laura O’connor, Glen Foley, Colin Morissey, Logan Shannon, Elsa Sanchez, Jamie Shouli, Paul Symes, Nathan Hicks, Professor Ronald Knoth, Assistant Professor Reginald Rogers, Sarah Bailey, Lisa Mann, Lorna Hall, Gemma Emslie, Alison Embrey Medina, Lyndsey Hubbard, Heather Strang, Lars Laemmerzahl, Janey Rodger, Lynda Murray, Moe Krimat, Jeremy Rucker, Kathryn Scanlon, Millington Associates, Andi Grant, Denise Foley, Gary Porter,Helen Burke, Janey Rodger, Sonya Storm, Pauline Dwelley, Tanya Reynolds, Michael Steward, Jonathan Berlin, Amanda Carr, Professor Leonard Wiltshire, Becky Tyre, Deborah Millington, Maya Stephani.

Burberry, London

We love the feel of the schemes here at Burberry at the moment (the images don't really do it justice), since they have installed these showcase-type spaces honing the eye onto the product shown in each, it really has made a significant difference.  Gone (or almost at least) is the repetition of their motif schemes which we always commented on for them to change.  They probably didn't hear us screaming to them to change it (although we know they read this site), however, that doesn't really matter.  Its done, and an enormously refreshing change too.  We just need to work on getting rid of those large format graphics now, eh?

Wright and Teague, London



Image courtesy and copyright Wright and Teague

We recently included the incredible scheme at Asprey recently which is part of the collaboration between retailers in this are of town and students at The Royal College of Art and Central St. Martins College of Art and Design and featured in this months Vogue Magazine.  The lovely people at Wright and Teague have sent us their images of this incredibly exciting project which we are happy to share with you.  We will swing by anyway and take some images to obtain our own view of this installation however, how exciting is this stuff, hey?  Wonderfully thought through, beautifully executed and incredibly presented.  What more could we ask for.

Image courtesy and copyright Wright and Teague

Etro, London

This is always a very difficult store to photograph as they always pull the shutters down before we have the opportunity to capture what they do.  However, while they have,  over a longer period of time produced some really very innovative schemes, this is possibly not the best one?  Piles of Oranges in at least a kind of pyramidal format have been placed in the background to support the product.  The seated mannequin appears very stilted and in a quite unnatural pose (do you sit like this?) which jars slightly, but the overall impression is of a mid-range brand rather than the luxury brand it is.  Don't you think?

Hermes, London

We're not always huge fans of what the Hermes store along Bond street do in their windows, although this scheme is enormous fun.  With their back to basics, utilitarian scheme, ya' know keeping it real an' all that, we have to admit that it did bring a smile to our faces.  Scrubbing brushes, Belfast sinks, pots and pans, clothes dryers and so on couldn't be further from the clientele that this brand probably attracts, however here it is.  The humour is wonderfully fun and a breathe of fresh air from this luxury brand.