While wandering the city along East 58th st. recently I came across Lamp Works Inc. and this fun installation which I believe is called Art de Triomphe. For a company that sells lighting fixtures, I felt that this was a wonderfully abstract way of creating interest around a product without actually obviously selling it. With its gravity defying garden scene, I was compelled to record it and show it to you as this is such an innovative way of drawing me in to the space without the direct sales angle. Wonderful stuff.
Saturday, 8 January 2011
Friday, 7 January 2011
Oliver Peoples, New York
How do you present glasses / spectacles creatively? Well we only have to look to Oliver Peoples to find the answer. Strategically placed around Manhattan (this one at the top of Madison) I couldn't help but record this for you. I actually really like the simplicity of their presentation, even though the product doesn't look very exciting here, at least for me anyway. However, I took several images for you as the surround changes colour in a way that only digitally recording this would have captured. With the product worn by the Hollywood elite (possibly translated as far too much money to spend) this clearly is an Uber cool brand. I'm unlikely to purchase anything here myself, but I do enjoy what they have produced visually.
Thursday, 6 January 2011
Urban Outfitters, New York
I do enjoy going to view this brand on occasions. Not every occasion however, as it always feels like a very unfriendly brand (unlike its gorgeous sister Anthropologie, but then they don't do menswear, so whats the use?). I've taken these images almost in a two or one finger(s) up (depending on where you are reading this) to the brand. Maybe that's what they want that? Anyway, I do love to go and have a look nonetheless and see what these guys are doing as I do enjoy their commercial spaces and the visual interest that they create. The merchandise however is the usual club wear so give me All Saints any day. How many knitted hats, tea shirts, Far-Eastern-manufactured-looking-gimmicky-products and pairs of straight leg jeans does someone actually want, right? And and the stuff is hardly massluxe even if the price tag is. But anyway, I love the creative and clubby atmosphere. If that's what Urban Outfitters want.....that's what they've got. But, pseudo brand heritage? Oh who cares......I only ever just go and look and never spend money here anyway, do you?
Wednesday, 5 January 2011
The Bedford Cheese Shop, Brooklyn, New York
I don't know much about the Bedford Cheese shop here in Williamsburg - the cooler part of Brooklyn. However, I couldn't resist recording this scheme for you as the company found such a fun way of showing their product. Food is always so difficult to make fun (as far as Visual Merchandising is concerned at least) and of course seen very often as not a very glamorous option for beginner VM's - fashion being No. 1 of course. However, I think these guys did such a superb job with the Cheeses shown here in the pyramidal format and farm animals placed to create this out sized narrative. Great fun.
Tuesday, 4 January 2011
Georgia, New York
I couldn't help myself but record this concept at Georgia hair and beauty products for you in New York recently in Lower Manhattan. There is nothing particularly unusual about the interior space (as far as I could gather) however the reason I have recorded this was because of the re-use of the battered and graffiti'd old door used in conjunction with the floor to ceiling glass frontage. I do adore the juxtaposition and the use of the two materials here creating an Uber chic feel to this site. I know nothing about the company so I cant give you any more information on that front although with the cardboard cut out figure laying in the bath with some product, it really does help to create that very cool urban feel to this brand and site that who wouldn't want to be part of it?
Monday, 3 January 2011
Lola Boutique, pop up store, New York
I would love to tell you something about this store but unfortunately while I, and two potential other customers tried to get in to this place by banging on the door, it sadly fell on deaf ears. I didn't get the impression that this was an exclusive pop up store, but the music was rather loud so maybe no one could hear us. Three potential sales were lost. Ah well. enjoy the visual of it anyway and if you happen to be in Lower Manhattan and can find it, then please do have a look and maybe let me know what its like?
Sunday, 2 January 2011
Junk, Brooklyn, New York
If you happen to be in Williamsburg in Brooklyn soon, then do go and check out Junk. Its very easy to find and they have two stores in the area. Crammed to the rafters, it really is filled with junk, but incredible junk at that. If you are looking for furniture, photographs by the suitcase load, antlers, stuffed animals, crockery, glassware - you name it, they seem to have it. With prices pitched very competitively you'd be bonkers not to at least pay them a visit.
Saturday, 1 January 2011
10 Commandments of Visual Merchandising 2011
OK, well this one will fall on deaf ears for sure. How on earth can we live without a graphic in a store window of the latest internet darling, television celebrity or pop star, stood with or behind the product, wrapped in the product or just simply there in every possible combination known to man or woman. If it’s not an illuminated light box it’s a suspended graphic in Black and White, if it’s not in a stacked cube its printed on a background. Do we really have to endure this much longer?
Last year we saw several retailers working with some incredible artists and designers who have elevated some of the schemes seen in London throughout 2010. Nicole Farhi really led the way here with collaborations seen on several occasions throughout the year as have Selfridges, Topshop and more recently Louis Vuitton and Diesel. There were some really interesting schemes back in June for Architecture week across several brands. This has given the Visual Merchandising industry a really interesting direction which has also been incredibly refreshing. What next? Well, it would be interesting to see if retailers allow more of this to happen and maybe we will see more schemes being completely designed by interesting people in 2011
Liberty here in London were my absolute favourite in 2010. From their cheeky London Fashion week installations, their Porno quilts and scheme influenced by the Surreal House at the Barbican. This is what this industry is all about. Great fun, wonderful entertainment and amazing PR opportunities. So bulldoze those multiple brand mock shops out there in suburbia and get yourself to an exhibition. Or better still go and see the windows produced by these guys throughout 2011 and be inspired. (The smears on the glass are from me licking them - I hasten to add because the schemes were so fantastic, not because of the content here)
Always working through the night, always working on the weekends, always last to leave. Hold on to your creative teams retailers, and brands, treat them well, please pay these guys what they deserve, support them, encourage them, trust their ability, allow them to do their job and they will ensure that even your worst seller looks amazing. Here’s to 2011 and a happy new year to you all.
Is it me or are the years not just passing by faster and faster each year but screaming passed like a near death experience? Still, in the event that my life does flash before my eyes, I certainly want it to be worth watching. While on a visit to New York for Christmas and New Year last December I began to reflect on what had been a terrible year in 2009 with one sensational recession story after another streaming at us faster than a YouTube video, but then I could probably knit a cardigan faster than some of those videos load. This blog site was a means to have my say, albeit sometimes a frustrated one and I do often poke at brands a little, but I felt then as I do now that it was important, on a global platform that we as a Visual Merchandising industry should not lay down and roll over as if all was OK out there and that I should stand up and say that as visual people we are crucial to the commercial industries. So why are we always one of the first to be made redundant when the going gets tough and the tough let us go? Even the worst merchandise needs to be visually merchandised. However, I am possibly in the most unique position being on the periphery as a knowledge provider to the Visual Merchandising industry and therefore decided it was about time someone questioned what we are doing within this industry at least a little, poked fun at it bit (possibly more than was good for me), comment about it a lot, record it infinitum, and kick a few tyres in the process. Ultimately, I felt that if I said nothing, questioned nothing and accepted everything at face value - as it was clear no-one else would say anything - then we would have to accept ‘things’ within our industry as OK when they clearly are not. And so the journey began. While reflecting, writing and publishing the 10 commandments for 2010 at midnight on New Year’s eve 2009, I had no idea that they would become the most popular and simultaneously contentious page for readers the entire incredible 12 months of last year. I’m not sure if it would have ever mattered if I had written anything else the rest of 2010 but just as we all typed those immortal words ‘Google earth’, and yes, we all honed in and landed on our own home address first – yes we did, and you know I know it too - as it seemed that just about everyone wanted to know either if they were in it, and ‘in it’, having a giggle at those who were or wondering what they should and shouldn’t be doing if they weren’t. Of course the 10 Commandments have never been written as a sly means of revenge geared towards retailers for all those knitwear products that I bought that shrank to Action Man sizes after just one wash or are now just a piece of felt, the CD players that perpetually inform me NO DISC, those annoying daily marketing calls around 4.00pm and no, I have no Gold to cash or any other possible hidden agenda. No, my comments are purely from an observational and emotional response to whatever I am viewing as a flaneur walking the city. After all, I am a customer and a consumer too and I too react to whatever is presented to me as a customer just like everyone else. There were a few Commandment breakers throughout 2010 (you know who you are, I know where you live and you have to sleep sometime ya’ know) but looking back (momentarily at least) it seems that generally, while 2010 wasn’t the most exciting year to date out there on the high street, there were some little gems of schemes worthy of note but then who wants to know that, right? Say after me, “I am so fickle…….” So here we go, strap yourselves in, baton down the hatches…..here are my 10 Commandments for 2011. 1. Thou shalt not produce the ‘same’ scheme as someone else. |
| FCUK |
| Brooks Brothers |
| Banana Republic |
| Corneliani |
On countless occasions last year we saw several schemes that appeared to not just echo previous window schemes from other brands but they could have actually been separated at birth, albeit over a whole year apart. Whether by coincidence or design this possibly occurs as no one is actually looking beyond their own brand to keep abreast of what is happening in here, out there, elsewhere or at least somewhere. If brands are aware of what is actually happening surely this wouldn’t ever happen deliberately?
2. Thou shalt not use motifs
| Juicy Couture |
3. Thou shall handle mannequins correctly
| Kurt Geiger |
| Kurt Geiger |
It never ceases to amaze me how brands can possibly think handling mannequins like this was actually a good idea? Mannequins are moulded into poses which are usually fixed (unless they happen to have articulated arms and legs and therefore are meant to be rather more fluid). The awkwardness and ensuing hilarity of these figures which in themselves are perfectly fine is beyond belief. Why use mannequins anyway if you are selling shoes?
4. Thou shall maintain retail standards
| Mont Blanc |
This has to remain one of our top priorities of 2011. On so many occasions one can view a whole variety of this kind of stuff. From broken mannequins, mannequins with hands forced onto the wrong arms, fallen graphics, boxes from deliveries left just inside the store when the staff have gone home, tumble weed style dust balls wafted gently by drafts, this list goes on. Mannequins, graphics etc. are retailers silent sellers that don’t take a cigarette break don’t moan about terrible pay and long working hours and yet so often these elements are treated quite badly which I always feel, as a customer, says ‘I don’t care’. Of course mannequins’ wires do snap occasionally and things do come unstuck, something even luxury retailers find happening to them although there is no excuse for leaving empty product delivery boxes in view of the customer and not keeping on top of the housework. Right?
5. Thou shalt not use large format graphics with a celebrity endorsement.
| G-Star |
6. Thou shall continue to support new and established artists and designers
| Nicole Farhi |
7. Thou shall continue to produce incredibly fun and exciting schemes
| Liberty |
8. Thou Shall illuminate the product
Do we really need to illuminate our schemes? Well yes. It never ceases to amaze me how underused this crucial element is. Schemes of course change every few weeks and naturally the lighting needs to be moved too. I have never quite understood how this is ever overlooked?
9. Thou shalt not use stacked suitcases, bell jars, mopeds and pushbikes or magnifying glasses
Throughout 2010 these items have been the focus of countless window schemes, just as chandeliers were in 2009. So come on brands lets see something new in 2011
10. Thou shalt continue to support creative teams in Visual Merchandising
| Fortnum and Mason |
| Mathew Williamson |
Friday, 31 December 2010
Converse, New York
While I'm not a huge fan of the product from this brand, I must say that their lower Manhattan store is incredibly creatively presented and absolutely communicates this brand perfectly. With their huge wall of product placed to mark out the star spangled banner, I adore the space they have given over to this. The opposite wall (not shown here) is covered beautifully in paintings that incorporate the architecture superbly. All around this space, the product naturally split between male and female departments is visually brilliant. This brand not only understands their customers but actually really likes them and works with them to create this kind of environment. Global multiples, watch and learn (oh and keep checking out Anthropologie too to see how localised creativity works so well and creates that differentiation that we are craving)
Thursday, 30 December 2010
OO, Artist, New York
There's something quite uplifting about having random conversations with random people that one happens across. Just by chance I struck up a conversation with the Artist named O. While I don't know the origins of his name, he is actually called OO - pronounced Owe Owe as opposed to Zero Zero, bizarre hey. O himself clutching his passport showed it to me to prove it too. Originally from Montana, "O Began 20 years ago as a photo-realistic inked ocean wave of people after a dream of being in an ocean of everyone who had ever been alive or would be, and evolved into 2000 faces... and now over 3000 faces of famous and infamous twentieth century people from around the world. It is a continuous work in progress". Visitors to O's pitch can also freely suggest anyone whom he may have omitted. I am a fan of collage anyway, although this really is such stunning work by this artist, based on the streets of New York, selling his work on Prince St. and West Broadway. If anything, do go and have a look and have a chat to him. He's energetic, entertaining and clearly passionate about what he does. Alternatively, check him out at www.freelancepainter.com
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